In his book ‘Black and White Photography Workshop’ he talks
about the relationship between the photograph and the reality it describes. The
choice of subject will reflect a photographer’s personal concerns and
interests, what meanings will be read could differ immensely. Blakemore sees
the landscape as energy, which changed how he looks at the landscape and
responding to it. For him, the relationship is equally with the location and
the process.
“A
landscape, for example, may be chosen to celebrate the unique presence and
beauty of a tree, to show depredations of open-cast mining, or to suggest
emotional state. The relationship of subject to content will be different in
each case, as will the photographic means employed to realize the
photographer’s intentions.”
“In my won
landscape work, my photographs grew out of intimacy with place, whether a small
stretch of beach, a wooded valley or a tiny stream. These were areas which
spoke to me in some way, and that I visited and revisited. – My intention, however, was not to make
images that were about a particular place, but through familiarity to recognize
those elements of place that alluded to the larger forces that shape the total
landscape”
Blakemore, J., Comino-James, J., & Fletcher, J. (2011).
John Blakemore: photographs 1955-2010. Stockport, Dewi Lewis.
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